Booth Theatre
Broadway - Etats-Unis

Construction: 1913

Topologie du théâtre

Nombre de salles actives: 1
Salle 1: (806)    1913 - Actif

Accès

En métro:
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Adresse: 222 W. 45th St., New York, NY

Evolution

Bâtiment:
Nom:

Propriétaire(s)

Shubert Organization

Remarquable

806 
1913 - Actif

Théâtre
Original

16) Gary: A Sequel to Titus Andronicus (Original)

Joué durant  3 mois 3 semaines

Première preview: 05 March 2019
Première: 11 April 2019
Dernière: 04 August 2019

Compositeur: *** Divers •  
Parolier: *** Divers •  
Libettiste: *** Divers •  
Metteur en scène: George C Wolfe •  
Chorégraphe:  
Avec: Nathan Lane (as Gary) and Andrea Martin (as Janice) 


Commentaire: Three-time Tony Award winner Nathan Lane and two-time Tony Award winner Andrea Martin return to Broadway to star in the world premiere of Taylor Mac's new comedy Gary: A Sequel to Titus Andronicus.  (plus) 


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Théâtre
Original

15) American Son (Original)

Joué durant  2 mois 3 semaines

Nb de preview: 33 previews
Première preview: 06 October 2018
Première: 04 November 2018
Dernière: 27 January 2019

Compositeur: *** Divers •  
Parolier: *** Divers •  
Libettiste: *** Divers •  
Metteur en scène: Kenny Leon •  
Chorégraphe:  
Avec: Kerry Washington (as Kendra Ellis-Connor), Steven Pasquale (as Scott Connor), Jeremy Jordan (as Officer Paul Larkin), and Eugene Lee (as Lieutenant John Stokes) 


Commentaire: Golden Globe & Emmy Award nominee Kerry Washington and Drama Desk nominee Steven Pasquale return to the Great White Way to star in the Broadway premiere of American Son, written by Christopher Demos-Brown and directed by Tony Award winner Kenny Leon. The cast also features Broadway, "Smash" and "Supergirl" favorite Jeremy Jordan and Eugene Lee.  (plus) 


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Théâtre
Original Broadway

14) ** Hors DB Theatre (Original Broadway)

Joué durant  2 mois 1 semaine

Nb de preview: 35 previews
Nb de représentations: 84 représentations
Première preview: 30 April 2018
Première: 31 May 2018
Dernière: 11 August 2018

Compositeur: *** Divers •  
Parolier: *** Divers •  
Libettiste: *** Divers •  
Metteur en scène: Joe Mantello •  
Chorégraphe:  
Avec: Jim Parsons (as Michael), Zachary Quinto (as Harold), Matt Bomer (as Donald), Andrew Rannells (as Larry), Charlie Carver (as Cowboy), Robin de Jesús (as Emory), Brian Hutchison (as Alan), Michael Benjamin Washington (as Bernard), and Tuc Watkins (as Hank) 


Commentaire: The 50th Anniversary production of Mart Crowley's groundbreaking 1968 play The Boys in the Band also marks its Broadway premiere and plays a strictly limited 15-week engagement at the Booth Theatre.

The comic-drama originally premiered off-Broadway at the Playwrights' Unit in April 1968. After an initial intended run of just five performances, The Boys in the Band quickly gained a cult following, transferred to Theater Four on West 55th Street and ran for over 1,000 performances. Celebrity patrons during that period included the likes of Jackie Kennedy, Marlene Dietrich, Rudolf Nureyev, and Groucho Marx. The entire original off-Broadway cast also performed the play to great acclaim in London and were immortalised in William Friedkin's 1970 film adaptation.

Now, five openly gay producers have assembled an openly gay director and nine openly gay actors to mount a star-studded revival on the Great White Way and fifty years on, the piece shows us in equal measures just how far we have come and how, in other respects, nothing has changed at all. The play, of course, predates Stonewall and the AIDS epidemic and concentrates on the themes of self-loathing and homophobia. "Show me a happy homosexual, and I'll show you a gay corpse," suggests Michael, our host and the central character of the piece. Sadly in many parts of the country and of the world, this statement still rings heartwrenchingly true and fifty years later, despite tremendous political advancements and achievements, the sociological perspective remains partially as stagnant as ever.

Whilst some of Mr. Crowley's references may seem dated to younger audience members, there are many moments in The Boys in the Band that lead you to think it could have been written yesterday. The themes of racial identity still linger uncomfortably in the air in 2018, for example, whilst notions of monogamy and infidelity in the gay community are still widely topical. The play unapologetically depicts gay lifestyle and gay friendships, warts and all, and whilst the bitchiness and flamboyance of characters like Michael and Emory provide ample opportunities for laughs, the cast does an astonishing job of evoking the overwhelming sadness and loneliness at their core. What begins as formulaic as a sit-com eventually uses devices to expose the souls, torments and desires of our players to devastating effect.

David Zinn's slick scenic design of Michael's NYC apartment resembles a crimson glass house and should the inhabitants decide to start throwing stones, the whole fragile place would shatter and collapse around them... A fantastic metaphor for a striking and essential revival.  (plus) 


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Théâtre
Original

13) Meteor Shower (Original)

Joué durant  1 mois 3 semaines

Nb de preview: 31 previews
Nb de représentations: 61 représentations
Première preview: 01 November 2017
Première: 29 November 2017
Dernière: 21 January 2018

Compositeur: *** Divers •  
Parolier: *** Divers •  
Libettiste: *** Divers •  
Metteur en scène: Jerry Zaks •  
Chorégraphe:  
Avec: Amy Schumer (as Corky), Laura Benanti (as Laura), Keegan-Michael Key (as Gerald), and Jeremy Shamos (as Norm) 


Commentaire: Emmy Award winner - and one of the world's top comedians - Amy Schumer is making her Broadway debut this fall as she stars in Hollywood legend and Tony Award nominee Steve Martin's new comedy Meteor Shower! The limited engagement plays Broadway's Booth Theatre from November 1, 2017, through to January 21, 2018, with an official opening set for November 29.

Ms. Schumer is joined on stage by a cast of stage and screen veterans including Tony Award winner Laura Benanti, Emmy Award winner Keegan-Michael Key and Tony Award nominee Jeremy Shamos, for the comedy that promises to have a meteoric impact on the Broadway season!

There aren't many ultra-modern, absurdist comedies floating around the Great White Way at all, so Meteor Shower is really in its own lane in terms of theatrical genres. Steve Martin's script imagines various scenarios that are played out over the course of one evening in California, with outcomes that vary from the trivial to the outlandish. As Gerald (Key) and Laura (Benanti) come over for an evening soirée to gaze at the meteor shower overhead with Norman (Shamos) and Corky (Schumer) at their house in Ojai, it's clear from the get-go that this encounter is going to be nothing short of explosive. May the mind games (and the lashings of physical comedy) ensue...

The four actors of the piece are perfectly cast and each shines as one-by-one they prove their comedy chops. Although Ms. Schumer is undoubtedly the driving force at the box office, these four are equally equipped on the stage and share equal portions of the laughter.

Are these home-wrecking intruders real? Are they just personifications of Norman and Corky's consciences? And how exactly do you create a man with a steaming hole in his chest after a meteor collision on stage? These and so many more questions can be answered with a trip to Meteor Shower at the Booth Theatre on Broadway!  (plus) 


Presse: I wish I had more to say, but I’ll admit that I am at a loss for words after seeing Meteor Shower, Steve Martin’s absurd new comedy at the Booth Theatre. What does one say about an entertainment this lightweight, this pointless, this short? - NY Theatre Guide

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Théâtre
Original

12) Significant Other (Original)

Joué durant  4 mois

Première preview: 14 February 2017
Première: 02 March 2017
Dernière: 23 April 2017

Compositeur: *** Divers •  
Parolier: *** Divers •  
Libettiste: *** Divers •  
Metteur en scène: Trip Cullman •  
Chorégraphe:  
Avec: Gideon Glick (Jordan), Barbara Barrie (Helene), John Behlmann (Will/Conrad/Tony), Sas Goldberg (Kiki), Rebecca Naomi Jones (Vanessa), Lindsay Mendez (Laura), Luke Smith (Gideon/Evan/Roger) 


Commentaire: The Broadway debut of author Joshua Harmon will be complemented by the Broadway debut of rising young director Trip Cullman, who guided the play to its successful off-Broadway engagement. Significant Other was a NY Times Critic’s Pick when it premiered last summer at Roundabout Theatre Company. Charles Isherwood, writing in the New York Times, called it “an entirely delightful new play, as richly funny as it is ultimately heart-stirring.” Time Out (Adam Feldman) agreed, noting “as funny as Harmon’s breakthrough play Bad Jews, Significant Other is a timely, well-observed, sharp but bittersweet New York comedy; the play’s main assets are the keenness of the writing, studded with wry one-liners, and the humanity of the performances.” The New York Observer (Rex Reed) declared: “Significant Other is for everyone looking for a timeshare in the space we all occupy when life moves faster than we do. A wonderful play about unrequited love, offered with warmth and without sentimentality. I doubt if there is anyone who is unable to relate profoundly to the characters in this play and what they go through.” The Hollywood Reporter (David Rooney) summed it up as follows: “A funny-sad, vibrantly contemporary lonely-heart portrait.” Significant Other began at Roundabout Theatre Company following the professional debut and world premiere of Joshua Harmon's play Bad Jews at Roundabout Underground’s Black Box in fall 2012.  (plus) 


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Théâtre
Revival

11) Liaisons dangereuses (Les) (Revival)

Joué durant  2 mois 3 semaines

Première preview: 08 October 2016
Première: 30 October 2016
Dernière: 22 January 2017

Compositeur:  
Parolier: Christopher Hampton •  
Libettiste: Choderlos de Laclos •  
Metteur en scène: Josie Rourke •  
Chorégraphe:  
Avec: Janet McTeer (La Marquise de Merteuil), Liev Schreiber (Le Vicomte de Valmont), Birgitte Hjort Sørensen (Madame de Tourvel), Raffi Barsoumian (Le Chevalier Danceny), Ora Jones (Madame de Volanges), Elena Kampouris (Cécile Volanges), Katrina Cunningham (Émilie), Josh Salt (Azolan), Joy Franz (Victoire), David Patterson (Major-domo), Laura Sudduth (Julie), Mary Beth Peil (Madame de Rosemonde) 


Commentaire: La version du Donmar transférée à Broadway…  (plus) 


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Théâtre
Revival

10) Hughie (Revival)

Joué durant  3 mois 2 semaines

Première preview: 08 February 2016
Première: 25 February 2016
Dernière: 12 June 2016

Compositeur: *** Divers •  
Parolier: *** Divers •  
Libettiste: *** Divers •  
Metteur en scène: Michael Grandage •  
Chorégraphe:  
Avec: Forest Whitaker (Erie Smith) et Frank Wood (Night Clerk) 


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Théâtre
Revival

9) Elephant Man (The) (Revival)

Joué durant  2 mois 2 semaines

Nb de preview: 35 previews
Nb de représentations: 83 représentations
Première preview: 07 November 2014
Première: 07 December 2014
Dernière: 21 February 2015

Compositeur: *** Divers •  
Parolier: *** Divers •  
Libettiste: *** Divers •  
Metteur en scène: Scott Ellis •  
Chorégraphe:  
Avec: Bradley Cooper (Merrick), Patricia Clarkson (Mrs. Kendal), Alessandro Nivola (Dr. Fredrick Treves), Anthony Heald (Ross, Bishop Walsham How), Scott Lowell (Snork, Pinhead Manager, Lord John), Kathryn Meisle (Miss Sandwich, Princess), Henry Stram (Carr Gomm, Conductor), Chris Bannow, Peter Bradbury, Lucas Calhoun, Eric Clem, Amanda Lea Mason, Marguerite Stimpson, Emma Thorne. 


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Musical
Original Broadway

8) Next to Normal (Original Broadway)

Joué durant  1 an 9 mois

Nb de preview: 21 previews
Nb de représentations: 733 représentations
Première preview: 27 March 2009
Première: 15 April 2009
Dernière: 16 January 2011

Compositeur: Tom Kitt •  
Parolier: Brian Yorkey •  
Libettiste: Brian Yorkey •  
Metteur en scène: Michael Greif •  
Chorégraphe: Sergio Trujillo •  
Avec:  


Commentaire:   


Presse: BEN BRANTLEY for NEW YORK TIMES says, "A work of muscular grace and power."

JOE DZIEMIANOWICZ for NEW YORK DAILY NEWS says, "More than a triumph - it's next to wondrous."

ELISABETH VINCENTELLI for NEW YORK POST says, "Close to good may not be enough for theatergoers."

JEREMY GERARD for BLOOMBERG says, "Easier to admire than love."

ELYSA GARDNER for USA TODAY says, "It has the heart and humanity that make musicals meaningful."

ERIK HAAGENSEN for BAC STAGE says says, "As Broadway becomes increasingly hostile to the presence of serious musicals, one roots even harder for those that make it there to succeed. Next to Normal, alas, still misses the mark."

ROBERT FELDBERG for THE RECORD says, "Powerful, riveting and not to be missed."

ROMA TORRE for NY1 says, "Touches your heart and gets under your skin."

DAVID ROONEY for VARIETY says, "Freshness, urgency and emotional integrity."

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Musical
Original Broadway

7) Story of my Life (The) (Original Broadway)

Joué durant  

Nb de preview: 19 previews
Nb de représentations: 5 représentations
Première preview: 03 February 2009
Première: 19 February 2009
Dernière: 22 February 2009

Compositeur: Neil Bartram •  
Parolier: Neil Bartram •  
Libettiste: Brian Hill •  
Metteur en scène: Richard Jr Maltby •  
Chorégraphe: Lisa Shriver •  
Avec:  


Commentaire:   


Presse: Goodspeed Opera House

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Musical
Revival

6) Most Happy Fella (The) (Revival)

Joué durant  6 mois 2 semaines

Nb de preview: 23 previews
Nb de représentations: 229 représentations
Première preview: 24 January 1992
Première: 13 February 1992
Dernière: 30 August 1992

Compositeur: Frank Loesser •  
Parolier: Frank Loesser •  
Libettiste: Frank Loesser •  
Metteur en scène: Gerald Gutierrez •  
Chorégraphe: Liza Gennaro •  
Avec: Tad Ingram (Cashier, Postman, Doctor), Liz Larsen (Cleo), Sophie Hayden (Amy aka Rosabella), Spiro Malas (Tony), Scott Waara (Herman), Bob Freschi (Clem), John Soroka (Jake), Ed Romanoff (Al), Clau- dia Catania (Marie), Bill Badolato (Max, Priest), Charles Pistone (Joe aka Joey), Mark Litito (Pasquale), Buddy Crutchfield (Ciccio), Bill Nabel (Giuseppe); The Folks of San Francisco and the Napa Valley: John Aller, Anne Allgood, Bill Badolato, Molly Brown, Kyle Craig, Mary Helen Fisher, Bob Freschi, Ramon Galindo, T. Doyle Leverett, Ken Nagy, Gail Pennington, Ed Romanoff, Jane Smulyan, John Soroka, Laura Streets, Thomas Titone, Melanie Vaughan 


Commentaire: En 1991, le Goodspeed Opera House d’East Haddam, dans le Connecticut, a produit la première version double piano de l’œuvre, et l’année suivante, le spectacle a été présenté à Broadway. En 1956, il y avait des spéculations sur la question de savoir si "The Most Happy Fella" était un opéra plutôt qu'un musical traditionnel. À l’époque, beaucoup estimaient qu’il était d’une importance vitale de classifier ce spectacle hybride qui chevauchait entre les mondes de l’opéra et des musicals, un argument qui remontait à 1935 avec Porgy et Bess (à ce jour, l’œuvre de Gershwin subit encore la vieille question de l’opéra ou musical). Mais c’est vraiment Loesser lui-même qui devrait avoir le dernier mot sur "The Most Happy Fella": les notes du programme pour ce revival qu’il a appelé l’œuvre «un musical — avec beaucoup de musique».  (plus) 


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Musical
Broadway Transfer

5) Once on this Island (Broadway Transfer)

Joué durant  1 an 1 mois 2 semaines

Nb de preview: 19 previews
Nb de représentations: 469 représentations
Première preview: 02 October 1990
Première: 18 October 1990
Dernière: 01 December 1991

Compositeur: Stephen Flaherty •  
Parolier: Lynn Ahrens •  
Libettiste: Lynn Ahrens •  
Metteur en scène: Graciela Daniele •  
Chorégraphe: Graciela Daniele •  
Avec: Jerry Dixon, Andrea Frierson, Sheila Gibbs, La Chanze, Kecia Lewis-Evans, Afi McClendon, Gerry McIntyre, Milton Craig Nealey, Nikki Rene, Eric Riley & Ellis E. Williams 


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Musical
Original

4) Sunday in the Park with George (Original)

Joué durant  1 an 5 mois 2 semaines

Nb de preview: 35 previews
Nb de représentations: 604 représentations
Première preview: 02 April 1984
Première: 02 May 1984
Dernière: 13 October 1985

Compositeur: Stephen Sondheim •  
Parolier: Stephen Sondheim •  
Libettiste: James Lapine •  
Metteur en scène: James Lapine •  
Chorégraphe:  
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Musical
Revival

3) Very Good Eddie (Revival)

Joué durant  8 mois 2 semaines

Nb de preview: 3 previews
Nb de représentations: 304 représentations
Première preview: 19 December 1975
Première: 21 December 1975
Dernière: 05 September 1976

Compositeur: Jerome Kern •  
Parolier: Schuyler Green •  
Libettiste: Guy Bolton • Philip Bartholomae •  
Metteur en scène: Bill Gile •  
Chorégraphe:  
Avec: Russ Beasley (Mr. Tayleurs Dumme), David Christmas (Mr. Dick Rivers), Joel Craig (M. de Rougemont), Karen Crossley (Miss Chrystal Poole), Jon EngstromSpring Fairbank (Mrs. Georgina Kettle), James Harder (Steward, Al Cleveland), Robin Herbert (Miss Alwys Innit), Travis Hudson (Mme. Matroppo), Larry McMillan (Mr. Dustin Stacks), Charles Repole (Mr. Eddie Kettle), Gillian Scalici (Miss Carrie Closewell), Virginia Seidel (Mrs. Elsie Darling), Hal Shane (Mr. Rollo Munn), Cynthia Wells (Miss Elsie Lilly), Nicholas Wyman (Mr. Percy Darling), Wendy Young (Miss Lily Pond) 


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Théâtre
Reprise

2) Time of Your Life (The) (Reprise)

Joué durant  3 semaines

Nb de représentations: 32 représentations
Première preview: 23 September 1940
Première: 23 September 1940
Dernière: 19 October 1940

Compositeur:  
Parolier:  
Libettiste: William Saroyan •  
Metteur en scène: Edward Duryea Dowling • William Saroyan •  
Chorégraphe: Gene Kelly •  
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Théâtre
Original

1) Time of Your Life (The) (Original)

Joué durant  5 mois 2 semaines

Nb de représentations: 185 représentations
Première preview: 25 October 1939
Première: 25 October 1939
Dernière: 06 April 1940

Compositeur:  
Parolier:  
Libettiste: William Saroyan •  
Metteur en scène: Edward Duryea Dowling • William Saroyan •  
Chorégraphe:  
Avec: Edward Andrews (Tom), Ainsworth Arnold (Society Gentleman), Ross Bagdasarian (Newsboy), Cathie Bailey (Elsie), Reginald Beane (Wesley), William Bendix (Krupp), Eva Leonard Boyne (Society Lady), Michelette Burani (Nick's Ma), Grover Burgess (Blick), Mary Cheffey (Killer's sidekick), Curt Conway (Dudley), Charles De Sheim (Nick), Eddie Dowling (Joe), Len Doyle (Kit Carson), John Farrell (Drunkard, Another Cop), Evelyn Geller (Killer), Julie Haydon (Kitty Duval), Celeste Holm (Mary L.), Gene Kelly (Harry), Will Lee (Willie), Houseley Stevens (Arab), Tom Tully (McCarthy), Nene Vibber (Lorene), Randolph Wade (Sailor, a cop) 


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Ouverture du "Booth Theatre" le 16 octobre 1913